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Preset boards generally control only conventional lights though some advanced hybrid consoles can be patched to operate intelligent lights in a round-about way by setting the control channels of the light to channels the preset board can control. However, for small setups such as that of a DJ, they remain the board of choice for their simple to use interface and relative flexibility. Preset boards are not as prevalent since the advent of digital memory consoles, which can store scenes digitally, and are generally much less cumbersome but more expensive than preset boards. Then the operator makes the transition between the scenes using the cross-fader. Typically during a cue, the operator sets the next scene. The operator sets the faders into their positions based on the cue sheets. Generally, at least with a preset board, the operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions, as determined by the lighting designer.
#SOUND CONTROL BOARDS OFFLINE#
So the console operator can build a scene offline or in "blind", a cross-fader or submaster is used to selectively mix or fade between the different scenes. Each scene has the same number of channels which control the same dimmers. The faders (control slides) on these scenes can be manually adjusted. They consist of two or more identical fader banks, called scenes. Preset boards are the most basic lighting consoles-and also the most prevalent in smaller installations. A common protocol for this is sACN (pronounced: streaming A.C.N.) or Art-Net.Īn Avolites Pearl Expert with optional Touch Wing, running the Titan control system. Some lighting consoles can communicate over a network via a switch to have more control over more complex systems. 0-10 V analog lighting control) may still be found in use, and newer protocols such as ACN and DMX-512-A are evolving to meet the demands of ever increasing device sophistication. The most common protocol used in the entertainment industry today is DMX512, although other protocols (e.g. Lighting consoles communicate with the dimmers and other devices in the lighting system via an electronic control protocol. sound boards, projectors, media servers, automated winches and motors, etc.) to improve synchronization or unify their control. Some consoles can also interface with other electronic performance hardware (i.e. Many modern consoles can control Intelligent lighting (lights that can move, change colors and gobo patterns), fog machines and hazers, and other special effects devices. Īll lighting control consoles can control dimmers which control the intensity of the lights. They are used throughout the entertainment industry and are normally placed at the front of house (FOH) position or in a control booth. A lighting control console (also called a lightboard, lighting board, or lighting desk) is an electronic device used in theatrical lighting design to control multiple stage lights at once.